Friday, July 16, 2010


First, I feel comforted by these colors, and I think that when I started this piece, I was looking for an escape from high energy. So much of my drawings are based on experience, feelings, emotions - and I think I was ready for a gear shift. This involved, at first, dots - just tapping my energy away with some easy on the eye (mind) colors! Then I got bored with the dots, gave my 'easy Sunday drive' passenger a slightly playful look with my hand hovering over the gear shift and punched the clutch and slid right into a new gear. I do not draw and drive, nor do I have a passenger in my brain, but I felt that this was the best way to explain the variation here. And much like people, sometimes, it takes a while to get to who a person really is. If you are patient, you may get to see something completely different and enjoyable and your view changes on that person. The gift of that allowance to each of us would be a glorious thing, more practiced, you think?

11"x14" Bristol acid free Recycled paper

Friday, July 2, 2010


We can sometimes bury ourselves amongst a world of beautiful metaphors, stories, much that nothing and no one can ever really get to the real being. Surrounded by life, but still untouchable. A beautiful mess, if you like.
I listened to "November 1, 1832" by Balmorhea a lot while drawing the tree. 159 times to be exact, on repeat until every root was drawn. Something about it is beautiful and painful. It makes you smile and cry. Which were the thoughts and feeling behind how this drawing developed.

Le Plume II and Sharpie